The Act review true crime drama tells a staggeringly disturbing story

Patricia Arquette and Joey King give strong performances in an uncomfortable new series about a horrifying case of Munchausen syndrome by proxy

At the conclusion of the first episode of The Act, Gypsy Rose Blanchard (Joey King) sits up in bed next to her mother, Dee Dee (Patricia Arquette). She slides her feet out from under the covers and skims the floor with her toes, which crack under her weight. Then she stands up and, without waking her mother, walks to the kitchen for a midnight snack.


Recommended For You

TigerPress Volume 9

Premium one of a kind wordpress themes that do all the onpage seo for you including image seo, with TigerPress themes you can also generate an unlimited amount of geo targeted landing pages in any language.

Stream Store Bundle

Unlimited Commissions Having Each And Every Amazon Product Delivered On-Demand To Your Store! (+Dynamic Posts Plugin)

PixieLogo Local Edition

Cloud-based easy to use logo design software. 2000+ Premium Templates 100000 Brand New Icons 100s of Mockups Upload custom logo icons and customization Add multiple texts 500 FB Ads templates 500 Twitter ads tempaltes A.I. Assisted Logo Creator Smoothest


Gypsys furtive steps are revelatory, to a point Gypsy has spent the prior 50 or so minutes of screen time in a wheelchair, seemingly beset by illnesses that keep her head bald and her frame frail. But given that the shows ominous score hints at creepiness from the first scene, that a hard-knocks neighbor (Chloe Sevigny) has already expressed skepticism about Gypsys charity case, and that Dee Dees murder was all over both the news in 2015 and the Acts first episode, Gypsys deceptive mobility isnt a surprise.

Such is the odd in-between feeling of watching The Act, Hulus five-part mini-series on the bizarre story of inseparable mother-daughter duo Dee Dee and Gypsy Rose Blanchard. The Act begins at the end of their relationship, on a night in 2015 when police find Dee Dee murdered in her bed. Gypsy is nowhere to be found. Cut to six years earlier, when the Blanchards move into a pink, wheelchair-ramped Habitat for Humanity home in a quiet neighborhood even before Dee Dees death in 2015, the Blanchards were small-town celebrities in Springfield, Missouri. They were survivors of Hurricane Katrina who attended Make-A-Wish trips and charity banquets honoring Gypsys fight against leukemia, muscular dystrophy, a feeding tube and a deadly allergy to sugar, among other ailments.

Except all the medical conditions were a ruse concoctions of Dee Dees Munchausen syndrome by proxy, a disorder characterized by fabricated or induced medical conditions for attention or sympathy. Gypsy could walk and never needed a feeding tube, yet was forced to keep up the act by her mother. At 23, she snapped, and plotted Dee Dees murder at the hands of the boyfriend she met online, Nicholas Godejohn. Gypsy is now serving 10 years for second-degree murder; Godejohn was sentenced to life.

The Blanchards story of abuse and deception prompted a blockbuster BuzzFeed article by Michelle Dean (who also co-created the show with Nick Antosca) and a feature-length HBO documentary (Mommy Dead and Dearest); now, Hulu has adapted the saga into a mini-series that builds on Americas fascination with true crime, bad parenting and scams. At a time when documentaries on these genres are thriving prominent films on Elizabeth Holmes, the Fyre festival, Adnan Syed and Lorena Bobbitt have all premiered this year The Act filters Deans deep reporting on the Blanchard story through an episodic tale of manipulation, revenge and toxic love.

That layered portrait the bizarre intricacies of the Blanchard case, as portrayed by actors makes for a weird, often uncomfortable viewing experience, at least for the five episodes available for critics. The Act has its strong points: Arquette and King give searing, committed performances, even as the roles undercut them with their incredulity. Kings baby voice seems absurd, though interviews reveal that Gypsys voice is actually that childlike. The showrunners make some interesting and surprising stylistic choices, warping the size of text messages or isolating an image of Gypsys PediaSure shake to evoke her prison of medications, her terror at the hands of a figure considered harmless by everyone else, her fevered and disjointed escape to another world online.

Patricia Arquette and Joey King give committed performances. Photograph: Brownie Harris/Hulu

And yet, Im not sure The Act pulls it off, which probably has less to do with the showrunners capabilities than the nature of centering a show around a disturbing case of childhood abuse. Perhaps if it were a documentary, it wouldnt seem as lurid. Arquette gives a human center to Dee Dees manipulations a frantic and unnecessary EpiPen injection for a non-existent sugar allergy becomes, for example, both an act and a desperate act of love. Gypsys teary-eyed disappointment and shame are visceral. But still, the show makes clear that while its based on actual events, some of it is dramatized, and that knowledge feels suspect. How can we know which changes are for us?


Recommended For You

Zcode system - national sports monitor

Professional Tools to help you win - Line Reversals, Total predictors, Oscillators Everything you need to win is at your fingertips!

Store Buildr - 25 Niche Website Package #2

The Ultimate ‘Done For You’ Niche Website Store Package! How Would You Like to Boost Your Website Income Massively With 25 Done-For-You Niche Targeted Websites... All Professionally Designed And Ready For You to Profit From!

MOTO Theme - powerful & versatile WordPress theme.

Are Your Sites Helping Or DESTROYING Your Business? Most Marketing Websites Leave TOO Much Money On The Table ? Here?s Exactly How To Maximize Profits From ALL Your Sites


A year or so into their move to Springfield, Gypsy receives a child of the year award from her local hospital. Coerced on stage by Dee Dee, who, as usual, speaks for her, Gypsy begins to warble Michael Jacksons Ill Be There. Dee Dee joins in and, though shes used the song to manipulate Gypsy closer into their toxic bond, for a moment, they seem joyous. (Co-creator Antosca has said the song choice was made before the documentary Leaving Neverland, which details Michael Jacksons alleged abuse of young boys.)

Im not sure how to feel about this scene, about this staging of abuse, in a format that turns the viewer into a third-person bystander straddling the line between empathy and voyeurism (in contrast to HBOs The Tale, which refracts real-life childhood abuse through the film-makers own trauma memory). In the end, I dont know quite how to feel about The Act, about the discomfort of seeing childhood abuse dressed up on screen, even if I know its not for gawking, even if I recognize the pull the Blanchard story has on me anyway. Perhaps that is the point.

  • The Act is available on Hulu on 20 March with a UK date yet to be announced

Original Article : HERE ; This post was curated & posted using : RealSpecific

This post was curated & Posted using : RealSpecific

Thank you for taking the time to read our article.

Interested in building a blog or auto-blog like this one ? Or just want to order one ?  Join our "Blogging Tips Tricks and Resources Skype" Group and let's chat about it. 

Join "Blogging Tips Tricks and Resources Skype" HERE

Interested in Starting your own Roku TV Channel ? Or interested in learning how to build one ? Join our "Roku TV Channel Development" Skype Group and let's chat about it. 

Join "Roku TV Channel Development" HERE


If you enjoyed our content, we'd really appreciate some "love" with a share or two.

And ... Don't forget to have fun!



IM Checklist Volume 19: Selling On Webinars

Make More Money, Save More Time And Instantly Tap Into a Billion Dollar Niche With These 18 High-Quality PLR Checklists!

MaticPress Enterprise

The ultimate edition of MaticPress for power-users.

RANKSNAP Citation Builder

Rank Page #1 of Google in a snap with this Automation tool

Leave a Reply